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Bredimaster Directory 10
Page 09
A comparatively small number of insects pass the winter in the larval or active stage of the young. Of these, perhaps the best known is the brown "woolly worm" or "hedgehog caterpillar," as it is familiarly called. It is thickly covered with stiff black hairs on each end, and with reddish hairs on the middle of the body. These hairs appear to be evenly and closely shorn, so as to give the animal a velvety look; and as they have a certain degree of elasticity, and the caterpillar curls up at the slightest touch, it generally manages to slip away when taken into the hand. Beneath loose bark, boards, rails, and stones, this caterpillar may be found in mid-winter, coiled up and apparently lifeless. On the first bright, sunny days of spring it may be seen crawling rapidly over the ground, seeking the earnest vegetation which will furnish it a literal "breakfast." In April or May the chrysalis, surrounded by a loose cocoon formed of the hairs of the body interwoven with coarse silk, may be found in situations similar to those in which the larva passed the winter. From this, the perfect insect, the Isabella tiger moth, _Pyrrharctia isabella_ Smith, emerges about the last of June. It is a medium sized moth, dull orange in color, with three rows of small black spots on the body, and some scattered spots of the same color on the wings.
Lucas Cranach (1472-1553) was a Franconian master, who settled in Saxony and was successively court-painter to three Electors and the leader of a small local school there. He, perhaps, studied under Gruenewald, but was so positive a character that he showed no strong school influence. His work was fantastic, odd in conception and execution, sometimes ludicrous, and always archaic-looking. His type was rather strained in proportions, not always well drawn, but graceful even when not truthful. This type was carried into all his works, and finally became a mannerism with him. In subject he was religious, mythological, romantic, pastoral, with a preference for the nude figure. In coloring he was at first golden, then brown, and finally cold and sombre. The lack of aerial perspective and shadow masses gave his work a queer look, and he was never much of a brushman. His pictures were typical of the time and country, and for that and for their strong individuality they are ranked among the most interesting paintings of the German school. Perhaps his most satisfactory works are his portraits. Lucas Cranach the Younger (1515-1586) was the best of the elder Cranach's pupils. Many of his pictures are attributed to his father. He followed the elder closely, but was a weaker man, with a smoother brush and a more rosy color. Though there were many pupils the school did not go beyond the Cranach family. It began with the father and died with the son.
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