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Bredimaster Directory 09
Page 07
The fifth chapel represents the birth of the Virgin. Having obtained permission to go inside it, I found the date 1715 cut large and deep on the back of one figure before baking, and I imagine that this date covers the whole. There is a Queen Anne feeling throughout the composition, and if we were told that the sculptor and Francis Bird, sculptor of the statue in front of St. Paul's Cathedral, had studied under the same master, we could very well believe it. The apartment in which the Virgin was born is spacious, and in striking contrast to the one in which she herself gave birth to the Redeemer. St. Anne occupies the centre of the composition, in an enormous bed; on her right there is a lady of the George Cruikshank style of beauty, and on the left an older person. Both are gesticulating and impressing upon St. Anne the enormous obligation she has just conferred upon mankind; they seem also to be imploring her not to overtax her strength, but, strange to say, they are giving her neither flowers nor anything to eat and drink. I know no other birth of the Virgin in which St. Anne wants so little keeping up.
We came across three distinct hill ranges of that type, over which we had to travel, the highest point being some 300 ft. above the level of the Tapajoz River. The last bit in particular of that hilly region was diabolically steep, with loose rocks which gave us no end of trouble. A beautiful little streamlet flowing east descended in cascades among those huge rocks. Eventually we reached the summit of the plateau, a huge flat expanse of dark red volcanic rock. My men were so tired that we had to camp on that elevation. Nothing but a few shrubs grew in the interstices of that great table of rock, which extended for several kilometres to the north. The barrier of rock, a spur of the great central plateau, was very interesting from a geological point of view.
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