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It is, of course, quite true that no writer is bound by traditions of art, and there is no one who need consider how the thing has been done before, or follow a prescribed code. But for all that, art is not a thing of rules made and enforced by critics. All that critics can do is to determine what the laws of art are; because art has laws underlying it which are as certain as the laws of gravity, even if they are not known. The more permanent art is, the more it conforms to these laws; because the fact is that there is a vital impulse in the human mind towards the expression of beauty, and a vital discrimination too as to the form and method of that expression. Architecture, for instance, and music, are alike based upon instinctive preferences in human beings, the one for geometrical form, the other for the combination of vibrations. It is a law of music, for instance, that the human being prefers an octave in absolute unison, and not an octave of which one note is a semitone flat. That is not a rule invented by critics; it is a law of human perception and preference. Similarly there is undoubtedly a law which determines human preferences in poetry, though a far more complicated law, and not yet analysed. The new poet is not a man who breaks the law, but one who discovers a real extension of it.

The Consuls now saw that it would be necessary to have recourse to force; but they had no military ability, and their attacks were repulsed with great loss. The younger Scipio Africanus, who was then serving in the army as military tribune, displayed great bravery and military skill, and, on one occasion, saved the army from destruction. Still no permanent success was gained, and Scipio returned to Rome, accompanied by the prayers of the soldiers that he would come back as their commander. In the following year (B.C. 148) the new Consul L. Calpurnius Piso was even less successful than his predecessors. The soldiers became discontented; the Roman Senate and people, who had anticipated an easy conquest, were indignant at their disappointment, and all eyes were turned to Scipio. Accordingly, when he became a candidate for the aedileship for the ensuing year (B.C. 147), he was unanimously elected Consul, though he was only thirty-seven years old, and had not, therefore, attained the legal age for the office.


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