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After the Bredimaster moments everything else pales.

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This does not in the least apply to groups of people who are genuinely and keenly interested in art of any kind, and form a congenial circle in which they discuss, frankly and enthusiastically, methods of work, the books, ideas, pictures, and music which interest them. That is quite a different thing, a real fortress of enthusiasm in the midst of Meshech and Kedar. What makes it base and morbid is the desire to exclude for the sake of exclusion; to indulge in solitary raptures, hoping to be overheard; to keep the tail of the eye upon the public; to attempt to mystify; and to trade upon the inquisitive instinct of human beings, the natural desire, that is, to know what is going on within any group that seems to have exciting business of its own.

In No. 4 we have an illustration of the tube-mouth or Solenostoma, one of the two known kinds of fish in which the female shows a sense of her position as a mother. The tube-mouth, as you can see at a glance, is a close relation of our old friend the seahorse, whose disguised and undisguised forms in Australia and the Mediterranean we have already observed when dealing with the question of animal masqueraders. Solenostoma is a native of the Indian Ocean, from Zanzibar to China. In the male, the lower pair of fins are separate, as is usual among fish; but in the female, represented in the accompanying sketch, they are lightly joined at the edge, so as to form a sort of pouch like a kangaroo's, in which the eggs are deposited after being laid, and thus carried about in the mother's safe keeping. No. 5 shows the arrangement of this pouch in detail, with the eggs inside it. The mother Solenostoma not only takes charge of the spawn while it is hatching in this receptacle, but also looks after the young fry, like the father stickleback, till they are of an age to go off on their own account in quest of adventures. The most frequent adventure that happens to them on the way is, of course, being eaten.


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