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Bredimaster Directory 02
Page 10
The loads the men were to carry were not heavy--merely from 35 to 40 lb. each--the heaviest load being the one I carried, so as to give a good example to my men. We had ample provisions to last us, with a little economy, three months. When the moment arrived to depart there was not one man who could stand up on his legs; the policeman with his injured foot could not even land from the boat, as it gave him so much pain. The chief of the Indians was so ill with the fever and the medicine he had taken that he really looked as if he might not survive. The other Indians refused to leave their chief; while the Indian Miguel, whom I had employed subsequently, flatly refused to come along. Much time was wasted talking, Mr. Nery, a fluent speaker, haranguing the men, who lay around helpless, holding their heads between their hands or rolling themselves on the ground.
The Saas chronicler, indeed, avers that the chapels were not built till 1709--a statement apparently corroborated by a date now visible on one chapel; but we must remember that the chronicler did not write until a century or so later than 1709, and though, indeed, his statement may have been taken from the lost earlier manuscript of 1738, we know nothing about this either one way or the other. The writer may have gone by the still existing 1709 on the Ascension chapel, whereas this date may in fact have referred to a restoration, and not to an original construction. There is nothing, as I have said, in the choice of the chapel on which the date appears, to suggest that it was intended to govern the others. I have explained that the work is isolated and exotic. It is by one in whom Flemish and Italian influences are alike equally predominant; by one who was saturated with Tabachetti's Varallo work, and who can improve upon it, but over whom the other Varallo sculptors have no power. The style of the work is of the sixteenth and not of the eighteenth century--with a few obvious exceptions that suit the year 1709 exceedingly well. Against such considerations as these, a statement made at the beginning of this century referring to a century earlier, and a promiscuous date upon one chapel, can carry but little weight. I shall assume, therefore, henceforward, that we have here groups designed in a plastic material by Tabachetti, and reproduced in wood by the best local wood-sculptor available, with the exception of a few figures cut by the artist himself.
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